Cannes
Ploy
(Thailand-Netherlands)
A Fortissimo Films presentation of a Fortissimo Films (Netherlands),
Five Star (Thailand) production, in association with the Film Factory
(Thailand). (International sales: Fortissimo Films, Amsterdam.)
Produced by Rewat Vorarat. Executive producer, Charoen Iamphungporn.
Co-producers, Aphiradee Iamphungporn, Kiatkamon Iamphungporn, Wouter
Berendrecht, Michael J. Werner. Directed, written by Pen-ek Ratanaruang.
Dang - Lalita Panyopas
Wit - Pornwut Sarasin
Nut - Ananda Everingham
Ploy - Apinya Sakuljaroensuk
Tum - Phorntip Papanai
Moo - Thakaskorn Pradabpongsa
Jealousy erupts quickly but steamy sex and dull narrative move at a
glacial pace in Thai somnambulistic melodrama "Ploy." Pen-ek Ratanaruang's
return to a sole scripting credit after "Invisible Waves" makes that
maligned, slow pic look like a rapid approaching tsunami in comparison.
Yarn about a Thai man whose casual friendship with a 19-year old girl
flames the paranoid imagination of his wife, is too flimsy and false to
truly engage. Helmer's rep will insinuate this pic into fest slots, but
commercial prospects are small.
Wit (Pornwut Sarasin) and his
wife Dang (Lalita Panyopas) have returned to Thailand for a funeral
after a decade living in the United States. Jet-lagged, Wit goes down
to the Bangkok airport hotel bar while his wife sleeps. Also in the bar
is an sexy 19-year-old waif Ploy (Apinya Sakuljaroensuk), who is
waiting for her mother to arrive from Stockholm.
Based on the
fact that they are both originally from Phuket, Wit invites the girl to
rest up in his hotel room. Unsurprisingly, Dang is less than impressed
and the married couple quietly argue while the young girl showers,
before taking a nap.
Each of the three protagonists move in and
out of their early morning snoozes, allowing Ratanaruang to practice
cinematic sleight of hand with his slim narrative. Chief among these
illusory happenings is an extended erotic encounter between hotel maid
Tum (Phorntip Papanai) and the barman Nut (Ananda Everingham), who
served Ploy and Wit. Compellingly erotic, these scenes are the
principal reason for the deliberate pace employed by Ratanaruang, and
indicate that cinema's gain has truly been pornography's loss.
Helming
is solid but a lack of substance to accompany the snail pace will test
the endurance of patient auds. Proficient thesps do well to carry the
heavy load. Tech credits are strong but lulling soundtrack by
Hualampong Riddim and Koichi Shimizu not only emphasizes the sleepy
state of the protagonists but threatens to recreate it in the audience.
Camera (color), Charnkit Chamniwikaipong; editor, Patamanadda Yukol;
music, Hualampong Riddim, Koichi Shimizu; production designer, Saksiri
Chantarangsri, art director, Pipat Permpoon; sound, (Dolby Digital)
Akritchalerm Kalaynamtr. Reviewed at Cannes Film Festival (Directors'
Fortnight), May 21, 2007. Running time: 95 MIN.
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